In the enchanting world of poetry, where history and self converge, نفحات في المديح والتاريخ والذات تصدح ببيت الشعر unfolds its essence through a vibrant evening of artistic expression. The recent poetry night at Beit Al-Shair in Sharjah brought together acclaimed poets from Morocco, Senegal, and Syria. This gathering not only paid homage to the beauty of poetry but also celebrated profound themes that resonate within the realms of history, self-reflection, and devotion.
A Night of Reverence and Reflection
On July 7, Beit Al-Shair organized a poetry evening featuring prominent poets Muhammad Ahmou Al-Ahmadi from Morocco, Sarin Fadl Anjay from Senegal, a student at Al Qasimia University, and Sulayman Al-Ibrahim from Syria. The event was graced by the presence of Muhammad Abdullah Al-Breiki, the director of the house, along with a diverse audience of critics, poets, and poetry enthusiasts. Ayah Imam presented the evening, welcoming guests with warmth: “We welcome you with the finest greetings, and may God bless you in the sanctuary of Beit Al-Shair, where words flourish, poems shine, and souls gather in love for literature and beauty.”
Imam emphasized the continuous support of His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, a member of the Supreme Council and Ruler of Sharjah, to culture and literature, stating, “Sharjah has become a beacon of knowledge and culture.”
Echoes of Praise and History
The night began with poet Muhammad Ahmou Al-Ahmadi, who opened with a laudatory poem titled “Nuzuh Ila Sirat Al-Mustafa.” His verses celebrated the enduring legacy of Prophet Muhammad, encapsulating the essence of devotion:
“Subhana Man Ghayyar Al-Tarikh Mujizatan
Bi Ahmad Al-Khayr… Hatta Kabbar Al-Balad”
In this piece, he eloquently illustrated how the Prophet’s legitimacy united a community, leading them toward enlightenment. His subsequent readings showcased the richness of language, fluid rhythms, and diverse themes, inviting listeners to explore the depth of his poetic vision.
Expressions of Longing and Belonging
Next, Sarin Fadl Anjay took the stage, also beginning with a poem praising the Prophet. In “Ghadir ‘ala al-Khalij,” a nod to Iraqi poet Badr Shakir al-Sayyab, Anjay eloquently expressed the anguish of exile:
“I write my forgotten name upon its sands,
Only for waves to erase it, as if I were absent.”
This poignant reflection of longing captured the challenges of living far from one’s roots, further testament to how نفحات في المديح والتاريخ والذات تصدح ببيت الشعر resonates with universal experiences of yearning for belonging.
Introspective Verses and Timeless Themes
Sulayman Al-Ibrahim closed the evening with a series of personal and introspective poems characterized by vivid imagery and soft rhythms. In his piece “Isharat Istifham,” he mused on the complexities of love and longing:
“My heart is like a pomegranate, O love, is it a mistake
If I overflow with my pulses in your hands?”
Through a melodic exploration of emotions, he sought hope, even while grappling with time’s relentless passage, depicting the ache of existence intertwined with creativity:
“I came from my mother’s eye as tears,
And I haven’t strayed from my path.”
With these profound insights, the essence of نفحات في المديح والتاريخ والذات تصدح ببيت الشعر was unmistakably palpable, as poets engaged their audiences in a shared exploration of life’s intricacies.
A Celebration of the Poet’s Craft
As the evening drew to a close, Muhammad Al-Breiki honored the participating poets along with the evening’s presenter. This celebration of artistry reaffirmed Beit Al-Shair’s pivotal role in fostering a deep appreciation for poetry and its ability to bridge individual experiences with collective history.
