In an exciting development, a new edition of the prestigious magazine حروف عربية has been released, offering a rich exploration of Arabic calligraphy, art, and culture. The latest issue, number 61, is filled with engaging articles, in-depth studies, and interviews that celebrate the beauty and intricacies of Arabic script. This edition serves as a testament to the magazine’s ongoing commitment to highlighting the significance of Arabic language arts and features contributions from renowned calligraphers and artists.
The release of issue 61 of حروف عربية in Dubai signifies the magazine’s dedication to bringing Arab culture to the global stage. This issue, published by the Cultural and Scientific Association in Dubai, is available in both Arabic and English and opens with an introduction by editor-in-chief Ali Obaid Al-Hamli, who shares his experiences in northern India, reflecting on the phenomenon of Arabic calligraphy and the decorations used in mosques and palaces. This issue of حروف عربية presents a unique opportunity for readers to explore the aesthetics and diverse styles of Arabic calligraphy.
The issue begins with a distinguished article by the French-Iraqi calligrapher Hassan Al-Masoud, in which he discusses “artistic calligraphy” and the evolution of Arabic script through the ages, starting from the time of Ibn Muqla. His study highlights how writing styles developed, particularly during the Mamluk and Ottoman periods, leading to expressions of art in the modern digital age. This article is a central part of issue 61, emphasizing the importance of understanding the historical contexts of Arabic art.
The issue also features an engaging interview with the renowned Egyptian calligrapher Essam Abdel Fattah and his student Ashraf Hassan, conducted by Mohammed Firas Abou and Shakir Nouri. Abdel Fattah is known as an authentic reference in Fatimid Kufic calligraphy, shedding light on the cultural and artistic heritage of the esteemed Egyptian school. This dialogue adds a human dimension to the artistic research presented in the issue.
In the “Feature of the Issue,” Emirati calligrapher Khalid Al-Jalaf engages in a rich conversation with Turkish artist Farhad Qorlo, who is considered a living example of the continuation of classical artistic tradition. Qorlo discusses his role in decorating mosques in Istanbul and his experience teaching Arabic calligraphy to new generations, illustrating how art can bridge different generations and cultures.
The magazine pays tribute to the late calligrapher Aouni Al-Naqqash, reminiscing about his achievements and expressing gratitude for his contributions to Arabic calligraphy. Al-Naqqash is regarded as a symbol of authenticity in the Baghdad school, leaving an unforgettable mark in the world of calligraphy. Additionally, calligrapher Taj Al-Sir Hassan contributed two critical articles, the first of which addresses the 19th session of the Buraida Award, highlighting the importance of social cohesion through Islamic arts.
Issue 61 of حروف عربية is a source of inspiration for those interested in Arabic art and culture, adding value to the discussion about Arabic calligraphy and its significance in the contemporary world. With a celebration of aesthetic arts, the issue continues to foster a spirit of creativity and innovation in all matters related to Arabic calligraphy.